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However, speaking specifically of LAllegria , Ungaretti claimed that it, Does not just concern philosophy, it concerns a concrete experience from a childhood passed in Alexandria and necessarily intensified, embittered, deepened and crowned by the 1914-1918 war. Poet and writer Paola Carroni explains, In Ungaretti we don't find struggle, disgust, scenes of horror and blood, characteristic of the British World War I poetry (think about Owen, Graves, Sassoon), but rather restraint, avoidance of details and the discovery of something unexpected, of men, the universe and one's own soul. Unlike many of his poetic contemporaries, Ungarettis poetry may have used the war for poetic material, but it was not ultimately concerned with the horrors of war itself and instead sought to recall mans Edenic innocence and to seek universal brotherhood (even though he was sympathetic to Mussolini and the Italian fascist regime)
